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Showing posts from October, 2008

Next Stop: Barbados

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I'm off to the lovely coral island of Barbados. Besides drowning myself in soca, I'll be exploring the cultural connections between South Carolina and Barbados. Both places were established by the same man and the South Carolina National Heritage Corridor is sending me on a Caribbean-Carolina discovery tour. There won't be any more posts this week but look for my dispatches from Barbados next week.

Soca Warriors!

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Next week, I'll be traveling to Barbados. People may associate a handful of things with Barbados--Rhianna, flying fish or even a British sensibility. But for me, Barbados represents my favorite soca band, Krosfyah. Soca music is the manic, hip-swaying, offspring of calypso. It's most associated with Carnival time and Crop Over in Barbados but for true soca warriors, all the time is soca time. Soca never quite broke in the U.S., most Americans prefer the more languid melodies of roots reggae. Soca requires energy and rhythm. It's party music with a non-stop, staccato beat and Krosfyah works it like no one else can. I wrote a biography for Krosfyah at Allmusic here But to sum up Krofyah, I'd say that they stir up joyful, sexy, sounds made for fast-paced moves and all night partying. Founder and lead singer Edwin Yearwood wraps his silky, cajoling voice around a tune and pulls you in sweetly. Krosfyah displays a lot more soul and well-crafted songs than most soca groups, w

Paradise Found

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I've explored some lovely islands, from the pearly pink sands of Barbuda, to the hibiscus topped hills of Tobago. But when it comes to jaw-dropping beauty, nothing comes close to St. Lucia. The island's attractions are so legendary that it's almost a cliche to highlight it's sweeping twin mountains or it's lush rain forest. So my travel story in this week's Chicago Sun Times focuses instead on all the adventures I had there in a feature here. I think that St. Lucia captures the original concept of paradise. Not only is the landscape gorgeous but the people I met were gentle and kind. Pondering all the wonders I experienced, from the famed Gros Islet jump up to Soufriere's drive-in volcano, I think the most memorable time for me was in the tiny fishing village of Virgie. After driving over hills for an hour in an ATV (all terrain vehicle) some villagers set out plates of fresh sugar cane, star fruit, golden apple and coconut pie candy. I took in the countrysi

Orixa Chic

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It's often said that there's no line between the sacred and the profane in Brazilian culture and I really witnessed that when I shopped there. It didn't matter if I was perusing a beach side vendor's cart, a stylish Rio boutique or a cluttered airport shop, there were always kitschy examples of the candomble religion. Most of the T-shirts, magnets, statues and paintings that I saw were splashed with images of the candomble orixas, or deities. Iemanja's mermaid tail waved on dozens of blue t-shirts and tiny sculptures of Oxossi brandishing his bow filled the shelves of many stores. I suppose this is similar to crosses and rosaries flaunted as fashion statements in the U.S. but it threw me off balance. These trinkets are clearly designed for tourists but was it crass or disrespectful to buy souvenirs that display a religion that you don't belong to? I've seen lunchboxes decorated with Krishna, the Hindu deity and hoodies embroidered with Tibetan prayer flags

Dancing With The Saints

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I said I'd explore the complexities of candomble in earlier posts and here it is, finally. I'll admit, I've been avoiding this for as long as possible because there are so many layers and meanings and opinions attached to this religion that I just don't know where to begin. So I'll begin with my personal experience. On a late June night, in the small southern Brazilian town of Vassouras, I was invited to a candomble ceremony for the feast of San Juan. We drove down some roads and up some hills with only the moon lighting the way. Faintly, we heard the echos of drumming. We climbed down some stairs, past blooming bushes and I saw a huge bonfire. Men were holding large drums over them, tuning the instruments with flames. A tiny altar with flowers and a statue of San Juan stood under a small shack. The men sat down, joined by adolescent boys. They began drumming in a swirl of intricate rhythms A groups of women, clad in long white gowns and head wraps, moved in a circl

Senegalese Style Goddesses

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Strumming along on my fashion riff, New York Fashion Week attracted lots of scrutiny because of the recently discovered scarcity of models of color. Italian Vogue published an "all black" issue that sold out globally. Naomi Campbell displayed her dissatisfaction with the industry's inequality by starring in a violently fierce video on the topic. Of course, none of this is new, the fashion industry has flashed a suspiciously pale facade since its inception. This fresh awareness has reaped some benefits by exposing the problem and flooding the spotlight on any model of color that manages to hurdle over the industry obstacles. Two new-comers are grabbing lots of the attention and it didn't surprise me at all to discover that they are both Senegalese. Senegal is noted throughout the African continent for expert tailors, tall, slim citizens and a stunningly fly fashion sense. You see it in beautifully constructed gran boubous that flow over the men like water and the exp

Fashion Journeys

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You don't need to tackle the airlines to travel the world, just head to your nearest boutique. Fashions for 2008 and 2009 continue to be dominated by ethnic inspirations. The runways are awash in African prints, Caribbean colors and head wraps of every design. I love it all, I've never met a dramatic ethnic staple that I didn't like, whether it's a sumptuous Indian sari, an embroidered Mexican sundress or a woven Ethiopian gown. All of these garments are stuffed into my crowded closet because although the current fashion interpretations are great, there's nothing like the real thing. So, I'm spotlighting a designer that represents true global fashion. Trinidad & Tobago's Zadd & Eastman creates flowing ensembles that reflect Trinidad & Tobago's African and Asian cultural mix. They rocked Caribbbean fashion week in Jamaica and provide an elegant escort into Trini style territory. Images courtesy of Fashion Over Style .